Cinta mengubah perangai singa menjadi kelinci putih yang berlari bebas di padang sabana.
Cinta mengubah sebongkah batu menjadi pasir yang menunggu debur ombak di pantai.
Cinta mampu mengubah hal sulit menjadi lebih bermakna.
Cinta terbenam jauh ke dalam hati manusia.....
Oh Tuhan jika memang sudah waktunya diriku tenggelam dalam cinta, ijinkan cinta itu hadir padaku dan jadikanlah jalannya mengubah diriku menjadi sesuatu yang lebih bermakna...
Jadikan cinta itu menjadi mimpi indah dalam tabur bintang di malam hari
Dan menantikan arti cinta itu sebagai sebuah kisah yang kelak kan tersimpan dihati sebagai pelipur bosan
>>>>>>>>>>>Cinta, Apa itu Cinta?<<<<<<<<<<<<<<<

Koar Lebih Dari Batas

Kita telah memenangkan hidup dan punya kesempatan yang luar biasa untuk ditakdirkan hidup. kita adalah pilihan Tuhan untuk mencari jalan kita kembali lagi padanya di dunia ini. Tuhan telah memilih kita sebagai pejuang di dunia ini. Tuhan tidak menjanjikan kenikmatan selalu di dunia ini. Dia telah merancang dunia ini sebagai ujian untuk kita kembali. 

Bila hidup ini mudah mungkin seekor semut dihutan tak perlu bersembunyi dan khawatir pada deru kaki sang gajah. Tuhan menciptakan itu semua sebagai ujian untuk kita agar kita mengingatnya dan kembali padanya. 

Kawan hidup ini indah untuk disia-siakan, mari kita bersama berjuang mencari jalan kembali yang terbaik. 
 

My story for to day I dedicates to my greatest supporter in my world.... look at that beauty picture, they are my parents and i love them so much. mom and dad thanks for become my umbrella when the rainbow fall to me.... and then when the hard rain break my way.....

Momen yang selalu bertahan dibenakku adalah ketika itu aku mulai bersekolah dan Ayah mengantarkanku sekolah dengan sepeda kala itu karena rumahku dekat dengan tempat aku sekolah... yah taman kanak-kanak itulah sekolah pertamaku.... Aku ingat yang aku katakan pada ayahku "Ayah sinta ingin berangkat sendiri" geramku karena aku merasa anak dewasa kala itu....hah naifnya anak usia 4th kala pertama kali sekolah... hahahahha andai aku menyadari bahwa aku itu bentuk cinta ayahku mengantarkan putrinya untuk pertama kali sekolah. How lucky I am, the great father always in  my side.... begitu juga ibuku seorang wanita pekerja keras yang dalam hatinya selalu ada doa untukku. Entah berapa kali aku mengecewakannya karena kurang pahamnya diriku akan cinta ibuku padaku. Segala bentuk kicauannya dirumah adalah semata demi aku. Mom I love u forever I am....

Ayah dan Ibu adalah sebuah alasanku berbuat baik tidak hanya untuk keluargaku tapi juga untuk orang lain. Aku tidak ingin menjadi sesuatu yang tidak baik dan nantinya melukai hati mereka....

Al khoir aq sangat suka dengan kata2 itu,,, bagiku al khoir adalah keluarga, semangat, best friends, and other good things.

"the zoo strory" fourth drama assignment

NAME : YASINTA DIKA LISTYANA
NIM : A.320 080 259
CLASS : F
THE ZOO STORY
1. CHARACTER AND CHARACTERIZATION.
 PETER : A man in his early forties, neither fat nor gaunt, neither handsome nor homely. He wears tweeds, smokes a pipe, and carries horn-rimmed glasses. Although he is moving into middle age, his dress and his manner would suggest a man younger.
 Jerry : A man in his late thirties, not poorly dressed, but carelessly. What was once a trim and lightly muscled body has begun to go to fat; and while he is no longer handsome, it is evident that he once was. His fall from physical grace should not suggest debauchery; he has, to come closest to it, a great weariness.
2. PLOT.
This one-act play concerns two characters, Peter and Jerry. Peter is a middle-class publishing executive with a wife, two daughters, two cats and two parakeets who lives in ignorance of the world outside his settled life. Jerry is an isolated and disheartened man who lives in a boarding house and is very troubled. These men meet on a park bench in New York City's Central Park. Jerry is desperate to have a meaningful conversation with another human being. He intrudes on Peter’s peaceful state by interrogating him and forcing him to listen to stories from his life, including "THE STORY OF JERRY AND THE DOG” and the reason behind his visit to the zoo. The action is linear, unfolding in front of the audience in “real time”. The elements of ironic humor and unrelenting dramatic suspense are brought to a climax when Jerry brings his victim down to his own savage level. The catalyst for the shocking ending transpires when Peter announces, "I really must be going home..." Jerry, in response, begins to tickle Peter. Peter giggles, laughs and agrees to listen to Jerry finish telling "what happened at the zoo." At the same time Jerry begins pushing Peter off the bench. Peter decides to fight for his territory on the bench and becomes angry. Unexpectedly, Jerry pulls a knife on Peter, and then drops it as initiative for Peter to grab. When Peter holds the knife defensively, Jerry charges him and impales himself on the knife. Bleeding on the park bench, Jerry finishes his zoo story by bringing it into the immediate present, "Could I have planned all this. No... no, I couldn't have. But I think I did." Horrified, Peter runs away from Jerry whose dying words, "Oh...my...God", are a combination of scornful mimicry and supplication.
3. SETTING.
It is Central Park; a Sunday afternoon in summer; the present. There are two park benches, one toward either side of the stage; they both face the audience. Behind them: foliage, trees, sky. At the beginning, Peter is seated on one of the benches.
4. STYLE.
The grammatical structure in this dialogs’ used Standard English language style. The type of language style used narration or dialog style. The sentence construction in this dialogs’ is short construction.
5. SUMMARY.
Edward Albee's The Zoo Story is a long one-act play in which "nothing happens" except conversation until the violent ending. Shorn of much of the richness of Albee's utterly arresting language, and his astonishing nuances of psychological attack and retreat, the play can be described as follows: A man named Peter, a complacent publishing executive of middle age and upper-middle income, is comfortably reading a book on his favorite bench in New York's Central Park on a sunny afternoon. Along comes Jerry, an aggressive, seedy, erratic loner. Jerry announces that he has been to the (Central Park) Zoo and eventually gets Peter, who clearly would rather be left alone, to put down his book and actually enter into a conversation. With pushy questions, Jerry learns that Peter lives on the fashionable East Side of the Park (they are near Fifth Avenue and 74th Street), that the firm for which he works publishes textbooks, and that his household is female-dominated: one wife, two daughters, two cats, and two parakeets. Jerry easily guesses that Peter would rather have a dog than cats and that he wishes he had a son. More perceptively, Jerry guesses that there will be no more children, and that that decision was made by Peter's wife. Ruefully, Peter admits the truth of these guesses. The subjects of the Zoo and Jerry's visit to it come up several times, at one of which Jerry says mysteriously, "You'll read about it in the papers tomorrow, if you don't see it on your TV tonight.'' The play never completely clarifies this remark. Some critics think, because of statements Jerry makes about the animals, that he may have released some from their cages, while others think Jerry is talking about a death which has not yet happened, which might be headlined "Murder Near Central Park Zoo.'' The focus now turns to Jerry, who tells Peter that he walked all the way up Fifth Avenue from Washington Square to the Zoo, a trip of over fifty blocks. Adding Washington Square to Jerry's appearance and behavior, Peter assumes that Jerry lives in Greenwich Village, which in 1960, the year the play was first produced, was the principal "bohemian" section of Manhattan. Jerry says no, that he lives across the Park on the (then slum-ridden)... » Complete the Zoo Story Summary

the proposal thrid assignment

NAME : YASINTA DIKA LISTYANA
NIM : A.320 080 259
CLASS : F
THE PROPOSAL
1. Character and Characterization.
 Stepan Stepanovitch Tschubokov, 70 years old, a landowner
 Natalia Stepanovna, his daughter, 25 years old
 Ivan Vassiliyitch Lomov,35 years old, a neighbor of Tschubukov, a large and hearty, but very suspicious landowner
2. Plot.
Ivan Vassiliyitch Lomov, a long-time neighbor of Stepan Stepanovitch Chubukov, has come to propose marriage to Chubukov's 25-year-old daughter, Natalia. After he has asked and received joyful permission to marry Natalia, she is invited into the room, and he tries to convey to her the proposal. Lomov is a hypochondriac, and, while trying to make clear his reasons for being there, he gets into an argument with Natalia about The Oxen Meadows, a disputed piece of land between their respective properties, which results in him having "palpitations" and numbness in his leg. After her father notices they are arguing, he joins in, and then sends Ivan out of the house. While Stepan rants about Lomov, he expresses his shock that "this fool dares to make you (Natalia) a proposal of marriage!" This news she immediately starts into hysterics, begging for her father to bring him back. He does, and Natalia and Ivan get into a second big argument, this time about the superiority of their respective hunting dogs, Otkatai and Ugadi. Ivan collapses from his exhaustion over arguing, and father and daughter fear he's died. However, after a few minutes he regains consciousness, and Tschubukov all but forces him and his daughter to accept the proposal with a kiss. Immediately following the kiss, the couples get into another argument.



3. Themes.
The farce explores the process of getting married and could be read as a satire on the upper middle class and courtship. The play points out the struggle to balance the economic necessities of marriage and what the characters themselves actually want. It shows the characters' desperation for marriage as comical. In Chekhov's Russia, marriage was a mean of economic stability for most people. They married to gain wealth and possessions or to satisfy social pressure. The satire is conveyed successfully by emphasizing the couple's foolish arguments over small things. The main arguments in the play revolve around The Oxen Meadows and two dogs called Ugadi and Otkatai.
4. Setting.
The setting of place in this drama is in Chubukov’s house.
The setting of time is in the evening.
5. Style.
The grammatical structure in this dialogs’ used Standard English language style. The type of language style used narration or dialog style. The sentence construction in this dialogs’ is short construction.
6. Conclusion.
The conclusion is a relationship between man and society. It appears when the Lomov visits to Chubukov’s house and want to propose Natalya. Chubukov’s attitude to Lomov is kind and polite; it can be called a good neighbor. From the story, we can take message, if we want to make a good neighborhood; we have to be nice and do not fight to each other.

drama new assignment

NAMA : YASINTA DIKA LISTYANA
NIM : A.320 080 259
CLASS : F
DEATH OF SALESMAN BY ARTHUR MILLER
1. Character and characterization.
 Main Characters
Willy Loman - A 63 year old once popular salesman who’s lost his popularity and sales, not to mention his mind.
Biff Loman - A 34 year old son of Willy who has been searching for himself while working on farms in the west to the dismay of his father.
Happy Loman - The younger brother of Biff who tries in all he can to please his father and attempts to continue his father’s dream after he dies.
Linda Loman - The wife of Willy who tries to protect Willy’s feelings and can’t make herself confront him if it means hurting his feelings.
 Minor Characters
Bernard - A bookish friend of Biff and Happy who urges Biff to study in high school to no avail, however, he himself makes it as a prominent lawyer and goes to argue a case to the supreme court at the end of the play.
Charley - Bernard’s father who is fairly successful and offers Willy a job which Willy refuses on the basis of pride.


2. Setting
Willy’s house - Small house in New York surrounded by apartments.
Restaurant - Restaurant where Stanley works where the Lomans were supposed to have dinner at the end of the play.
The hotel - The hotel where Willy stays while in New England for his business trips. This is where Biff catches his father in the affair.
3. Plot
Biff returns from the west to visit his family although he doesn’t know how long he’s going to stay. Happy is glad to see him, but Willy seems strangely irritated. He talks to old friends he imagines to the chagrin of his family, but no one has the heart to confront him about it. Willy has a flashback of a time when Biff and Happy were promising high school students. In the flashback, Willy gives his sons a punching bag. He also condones Biff’s stealing of a football and doesn’t encourage them to study as much as they should. He emphasizes being well liked. After the flashback, Happy talks with Willy and asks him why he didn’t go to New England for his business trip. Willy explains that he almost hit a kid in Yonkers. He also tells his sons of his brother Ben who made a fortune on a trip to Africa.
Charley comes to Willy’s house at night complaining of not being able to sleep. Charley and Willy play cards, but at the same time, Willy hold a conversation with his imaginary brother. Charley has no idea what’s going on and leaves. Willy continues the conversation regretting that he stayed in American while he could have gone to Alaska or Africa with his brother and made a fortune. While Willy is having this imaginary conversation, Biff talks with Linda and asks her about Willy’s condition. Linda explains that she can’t bring herself to confront Willy about it. She also tells Biff that Willy has attempted suicide by crashing the car several times. Willy comes out of his reverie and speaks with his family about their jobs. Happy has an idea of starting a line of sporting goods so Biff decides to go to Bill Oliver to ask to borrow money. Willy decides to go to Howard the next day to ask if he can work in New York so that he wouldn’t have to drive 700 miles to work.. The next day Willy goes to Howard and Biff goes to see Oliver. They decide to celebrate their success by going out for dinner at night. When Willy talks with Howard, he loses his temper and begins yelling at Howard who in turn fires him. After Biff goes to see Bill, Bill doesn’t remember him and doesn’t lend him money. At night, Biff and Happy arrive at the restaurant before their father. Biff explains to happy that he didn’t get the money, and happy encourages his brother to lie. Willy arrives. Biff tries to tell Willy that he didn’t get the money and that he stole a fountain pen from Bill. However, Happy is at the same time lying to Willy that Bill warmly welcomed Biff. Willy apparently accepts Happy’s version. Willy tells his sons that he was fired and falls into his reverie having a flashback of the time Biff caught him in his affair. He remembers that it was that moment that Biff’s life ended. Happy does not want to put up with his father and leaves with Biff and two girls they met earlier at the restaurant. The two of them arrive home late and the coldly receives by Linda. Biff confronts Willy about his suicide attempts and Willy denies everything. He tells Biff that he did not get any money from Oliver and has no hope go get any money. He accuses Willy of not know who he really is. However, after this, Biff cries and leaves. Willy realizes that Biff loves him and decides to celebrate by killing himself by crashing the car which would give his family 20 thousand dollar in life insurance. No one but his family and Charley goes to his funeral.
4. Symbols
Stockings - They symbolize Willy’s infidelity and his lack of caring for his own wife since his gives his wife’s stocking to “The Woman.”
Stolen lumber - This symbolizes Willy’s acceptation of stealing and lack of understanding what really goes on.
Recorder - This symbolizes the success Willy dreams he could have had and wishes he had. It also symbolizes his pride as he tells Howard that he will get one while there is no way he can afford it.
Tennis rackets - Ironic symbol of Bernard’s success since Bernard goes to play tennis with a friend who owns a tennis court. It is ironic since it was the Loman brothers who thought sports equipment would be their success.

5. Style
The style and devices Miller uses enhances Willy’s mental state. By using flashback and reveries, he allows the audience to get into the mind of Willy Loman and brings us into a sense of pity for him. Miller also uses a lot of motifs and repeated ideas through the play to give the viewers an idea of what Willy and his situation is all about. Personal attractiveness is an oft repeated motif. It shows that Willy believes that personal attractiveness makes one successful, but his belief is shot down by the success of Charley and Bernard who, in his mind, are not personally attractive. Other motifs are debt which sadly the Lomans escape after Willy dies, stealing which Willy condones, even encourages, the boxed-in feeling of Willy, the idea that Willy’s life is passing him by, expressed in the quote, “The woods are burning,” and Ben’s success and the qualities that brought about his success.
6. Dominant Philosophy
Miller seems to say with this play that any man can have as great a fall and be as great a tragedy as a king or some other famous person. Just because people are common does not mean that their falls are to them less steep. Also one must find oneself to be successful in life.
7. Quotes
“Work a lifetime to pay of a house. You finally own it and there’s nobody to live in it.” Willy tells this to his wife after hearing that his sons left together for the evening and that they only needed one more payment on the house.
“Why am I trying to become what I don’t want to be? What am I doing in an office, making a contemptuous, begging fool of myself, when all I want is out there, waiting for me the minute I say I know who I am! Why can’t I say that, Willy?” Biff says this to Willy while arguing about his revelation and found self.
“I am not a leader of men, Willy, and neither are you. You were never anything but a hard-working drummer who landed in the ash can like all the rest of them! I’m one dollar an hour, Willy! I tried seven states and couldn’t raise it. A buck an hour! Do you gather my meaning? I’m not bringing home any prizes any more, and you’re going to stop waiting for me to bring them home!” Biff says this to Willy while arguing with him. Willy is shocked that Biff thinks so lowly of himself not realizing that what Biff says is true.
“Isn’t that -- isn’t that remarkable? Biff -- he likes me!” Willy says this to his wife and to himself after the argument with Biff. He had believed that Biff was out to ruin his life out of spite.